2. Traditional Types of Beauty
In the history of aesthetics, the basic types of beauty were regarded as being grace (Grazie) and the sublime (Erhabenheit). Grace is the type of beauty that gives us pleasure quite affirmatively and directly; we feel it expressed as a well-balanced beauty of harmony. On the other hand, the sublime is the type of beauty that gives us a sense of wonder, or a feeling of awe―as the feeling one has when looking at a tall mountain or a surging wave. Kant, for example, held that in beauty (grace) there are the components of free beauty (Freie Schönheit) and dependent beauty (anhängende Schönhei). Free beauty refers to the beauty felt in common by anybody, and not restricted by any particular concept. Dependent beauty refers to a beauty that depends on a certain purpose (or concept), and which is felt as being beautiful because of its appropriateness, such as its appropriateness for wearing or appropriateness as a place in which to live. In addition, pure beauty (Reinschöne), tragic beauty (Tragische), comical beauty (Komische), and other types are generally mentioned in theories of art. These traditional types of beauty have merely been specified through human experience, however, and any criteria for their classification have been ambiguous. In contrast, the types of beauty set forth in the Unification Theory of Art are based on clear principles, namely, on the various types of love.